How the Walker System saved the student art gallery (and my sanity)

Gotta love when I can review something and like it enough to say lots of good things about it. If you're an art teacher (or gallery manager) who has a love/hate relationship with displaying artwork, you gotta see this!!! 

Don't mean to just put product reviews on here or even videos but I'm having such a good time figuring out iMovie as I've never really used it before. Also, videos are just kind of easier for me to do over written blog content. *shrug* Just tryin' to keep it real. ;)

It's official! And we even have the jacket to prove it...

It's would just happen that I would go and make some proclamation on here about how I don't know the next time will be when I'm on here and then I'm just all of a sudden on here two days later all, "Hi! I have one more thing to say..."

*insert awkward smile and wave from me here*

*shrug*

More than three years ago, I embarked on a journey that finally ended (with an unexpectedly beautiful flourish) TODAY. I cannot be more delighted and overjoyed to report the end of such an incredible... hmmm... fight? 

To be completely fair, it's not been a fight so much as it's been me just persevering and seeing this all the way through. And that is? It's the jacket that you see me wearing as I'm doing something that I rarely (well, honestly more like never) do - a bathroom selfie. I honestly cannot even believe that I'm wearing this jacket because... well... it has taken me YEARS to be able to get this jacket approved in order for it to be made to begin with!

Here's the thing: Nearly EVERY student-interest group/team at my school is (very obviously) visibly represented when you gather our students together in a whole group. The athletics teams all have official jackets and other sorts of team apparel. The choral, performance arts, and instrumental art groups have matching (read: UNIFYING) apparel that they "sport" with great pride. There's even students of certain social studies classes that get matching shirts every year at the end of the course study as a way to celebrate the bond that they have formed together and the love that they have discovered for what/how they have studied it. But the VISUAL artists in my school? Well... we (because I include myself in this) have allowed our artwork to be seen but never ourselves and while being behind the scenes is something that we very much enjoy, we (meaning: the art students AND myself) have always wanted to have some matching (read: unifying) "gear" to sport in school colors and in solidarity with our brother and sister artists who we spend all of our time designing and creating alongside in our beloved art studio spaces. 

I am a person of dreams as much as I am a person of prayers as much as I like LOVE to MAKE. THINGS. HAPPEN!!!! There have been SO many dreams that I have shared with the student artist community and we have always said, "Hey! Why can't WE get jackets too? We can even design better ones than *insert any other jacket that everyone else has here*..." (We really aren't trying to put other people's jackets down. Seriously.)

So after enough talking (and lots more praying), I got to work on trying to make an official jacket happen for the visual art student community. I drafted up a few designs, put out "feelers" for which ones were most preferred and then approached administration to get their blessing to do it. I was given a little bit of a maybe but ultimately a no. I was bummed but hardly discouraged because the issue was a matter of our uniform policy (that we have and try very hard to keep to for very good reasons). I went back to the drawing board in both literal and figurative ways and I tweaked the things that they said could stand to be tweaked and then I approached administration again. I was told maybe for even less time and then no even faster than the first time. I wasn't bummed though and instead I became very VERY determined to not take no for the final answer. 

Time passed and administration changed and every time I approached them and asked again and almost always with the same outcome and (for me) the same determined response. The more I was told no, the more I believed this to be just a problem that required a more creative solution that needed to be thought through. It only took me YEARS to get to a point where administration stopped giving me no's after their maybe's and their maybe's started looking more like OK. I don't even think it's because I "wore them down" - though I'm sure my persistent did that a little bit - and it was more that prayer is a strong force to contend with AND I was also willing to flex and bend and compromise with what was being requested of me and the whole business of this jacket. 

Long story a little longer, today I am wearing the OFFICIAL jacket that has been so many years in the works and at times that felt like a (pipe) dream more than anything. It's really only me and 11 other student artists wearing it but the offer was put out to everyone to join with us and we're all hoping that now that people are seeing the jacket? They will be encouraged to join us and get one for themselves and I will be more than happy to place a second and much larger order with Custom Ink. Maybe the next order will be even cheaper than the $49 that it cost us since the more jackets you order at once, the more everyone saves!!!

I would love EVERYONE at my school to be able to wear this jacket if they want to because the way the visual arts works is that I get to see/meet/know nearly every student at my school. Some just take the visual art courses for the general education/graduation requirement but even those student artists really treasure their time in the art class they take and want to take more even if they don't intend on ever "doing" art again beyond their time at the school. 

I also think that EVERYONE at my school ought to feel as if they can rightfully wear this jacket because I do believe that God has seeded the gift of creation within all of us because He truly did create us in His own image (and He is the master artist if there could ever be a master of the masters!) and because I believe we are called to be imitators of Him? Well... that means every last one of us is 1) called to create, 2) enabled to create when we seek to answer the call, and 3) CAN rightfully identify ourselves as ARTISTS because when we answer the call to create and then we create in His name and for Him - we are artists no matter where we come from who we think we were before we acknowledge and embrace ourselves as artists. 

Today is a day when big prayers were answered and blessings were provided with abundance and I couldn't not mention it here on the blog no matter how flaky I've been and how many times I've promised you that I would be scarce here. I had to tell you about this day. I had to tell you about how great God is and show you how he delivers in mighty ways when you dream for Him, PRAY to Him, and then CREATE FOR HIM. 

Please continue to hold -- Thank you!

Original works of art by my almost 6yo daughter (left) and an artist I just love named Katie M. Berggren (right)

Popping on here to say hello just to see how you all are doing (albeit) without me.

Despite the quietness that has remained here on the blog, plenty has been going on for me! In my time away, I have still managed to occupy myself with more than enough that makes it even harder for me to want to come back - though I AM wanting to do that eventually and not just close this blog completely.

In my time away, I have come to realize how important it is to take the leave of absence that I have. I haven't been here on this blog and I even "pulled the plug" on my instagram as well!! My pause in blogging was something that I knew I needed but doing so on instagram too? That's something that just ended up happening just because I must say, it's been really Really REALLY nice. It's given me back something that I have lacked for quite too long - which is the real opportunity to be much more fully present in my life. Just as blogging stole that from my teaching and professional life, instagram definitely did that in my personal and family life. By taking myself offline though, I have reclaimed all of the things that I so willfully gave up without realizing that I ever did so in the first place.

I have a little more than a month and a half of teaching left and then I will be brought right to the start of summer - which already is chock full of all sorts of things to do. It's a wonderful and glorious thing to realize not only how full my life has become but also to not feel like I can't fully enjoy any of what I have been so blessed to receive. If you have ever considered taking a "leave of absence" from the online world? I would encourage you to not be afraid to just go for it. It will give back you in dividends what you never realized you were already giving endlessly of yourself within the virtual realms.

Keep calm... and... what was the next thing?

It's Friday. And I needed some serious comic relief because sometime life is so complicated for me that I have to make myself laugh so I don't explode instead.

*sigh*

Nothing like a little graphic design geekery to give me the hearty chuckle I needed. The only thing that would have made me laugh more would have been if there had been a mention or an appearance of Comic sans.

...

...

Actually, that might have made me feel even closer to exploding. Nevermind. ;)

Mini Masterpiece prepping with Artist Trading Cards :: Interactive Art History

This is my third year of doing the ever popular Mini Masterpiece project with the Art History students and this year I decided to add something into the creative process of it by having the students do some trial runs with artist trading cards (ATC). Do you do ATC at all with your students?

In all honesty, I have wanted to get in on the ATC "game" for quite a while and I even have quite an inventory to do it - I ordered different supports in ATC size at the beginning of the year - but I haven't been able to get it and keep it going. I blame the ridiculous schedule I keep at any given time with working full-time, graduate studies (also full-time), married and family life, and everything else in between.

(Next year, my goal is to definitely get ATC creation and exchanges going here within the school's art community and then eventually have it connect with another school/art community. I think it would be a great for a student leader to spearhead and so it's on my goal list to make happen in that way. Anyway...)

I have all of these ATC but I haven't used them this year so far. Last week there was a major school-wide field trip that happened though with the Science department and I was left with only half of my students in almost every class! It was the perfect time to break out some ATC for the students to do some creative processing and exploration. I found it especially useful with the interactive art history students since they are prepping for doing the Mini Masterpiece project and the ATC are just the right size to get them to start thinking about scale in order for them to do more successful works of art when they get their final materials.

I put my hand in this shot so you can get a better understanding of how small they are! 

The students used the Portfolio brand Oil Pastels that we are such a huge fan of and they all turned out some pretty amazing ATC that many of them took with them in order to be able to give to their friends and/or hang in their lockers.

I have never done ATC before but I feel like it really worked as a nice stepping stones for art history students to feel a little more prepared and confident for when it comes time for them to put paint to canvas.

iHeart this iPhone app :: Toca Tailor app review

One of my daughter's favorite apps on my phone these days is one by a company called Toca Boca called Toca Tailor. Toca Boca makes a bunch of really cool apps - Birthday party is a close runner up for us but Toca Tailor is the hands-down favorite so far. It is a paid app but it's only 99 cents and since that hardly breaks the bank I have felt like it's more than worse the money. 

(I know this is a departure from the norm here on the blog but as an art educator who is also a parent, I am always interested in apps that have a little more intrinsic value than just temporary amusement. I also appreciate apps with decent illustrations.  I feel like Toca Tailor provides both of those things. Also, I am not being compensated by them in any way. I am reviewing this strictly because I am a fan of it.)

The way Toca Tailor works is it takes the idea of virtual paper dolls and it stretches it so far that you you can use patterns to actually create clothing for the little doll! It's really pretty neat and I feel like when my daughter is using it, she isn't just mindlessly passing the time and is even sometimes thinking critically about what she wants to do next and how she is going to do it. Here is a youtube video about the app (from the developers, of course)

And here are some amusing examples of what my almost 5 year old daughter did on my phone while on the bus on the way back from a field trip to the zoo last week. She is an obvious fan of mixing patterns and wearing as many accessories as possible. And the backgrounds that she chose for the pictures were ones she imported by taking them with my camera phone!

I love how grumpy this girl looks. 

The funny thing about this app is my daughter creates and dresses ensembles much like what I support her to wear in real-life. At any given time she is a visual conglomerate of clashing shapes, colors, and patterns and she will wear as many accessories as she can get away with. (I limit the accessories only because I don't want them to get lost since they do so easily and many of them mean a lot to her.)

Why ride waves when you can paint them :: Oil Pastel studies of waves

In continuing to prepare the 2D Design class to jump right into landscape painting from picture reference for their turn of doing a Place of Grace, we got our proverbial feet wet by wave painting!

While we could have done a youtube instructional video for this one, after the clouds in the sky and the tree, I felt like they should attempt the waves a little more on their own. I did provide some instruction for the purposes of prompting them to connect what they would do with the waves back to the tree and the clouds - like helping them to realize that the crest of the wave is not unlike the clouds or the foliage of the trees. I also helped them to see the darks, mediums, and lights of the sections of the wave as well as helping them to understand where things should be more heavily blended and where their marks should be preserved as they are.

Overall, the goals of the wave painting were to allow them to have a lot more autonomy, be a little more intentional with their marks, and prove to them that they can paint (and well at that!) by using a picture as a reference. I differentiated the instruction by allowing them to select which wave they would do but by the end of the exercise they all had attempted to do both to of them. I projected two pictures I found of wave paintings online and I projected them split-screen style on the dry erase board so I could label them as I needed to.

You can see some of the labels I drew on top of the pictures. 

And here is the student work! The students are getting better and better with their marks and I am so delighted with how they are becoming more "painterly" with their work overall. I am especially excited because this is a class of student artists who are very much foundational in what they know of art so this is their first major endeavor into really producing something that (for them) will feel a lot more legitimate. See if you can figure out which wave (A or B) that they did based upon their work!

This student wasn't done but I believe they have the essence of the wave they were attempting.

There was a lot of peer tutoring going on amongst them a they did their work and I know that helped. Many of them also learned (and demonstrated!) the importance of not just drawing in the center of the paper and using the whole space of the paper. Showing them how to bleed and anchor the shapes, colors, and values to the different sides of the paper really helped them to better understand the overall composition of each of their pieces.

One last thing I did was to play a youtube video as background "music" in order to make their painting as full sensory as possible. It was so relaxing hearing the waves crash every day that they did this. Here is one I used...

This is the first year that I have used youtube at least every other day - for either co-teaching instructional purposes OR to do things like helping to create a more authentic experience of creation in the studio classroom and I am going to keep doing it because it has really made a difference for the students and their work.

Something else of all of this painting of landscapes? I am convincing them (as I told them I would!) that despite any of their individual claims that I ALWAYS hear from them of "I am not an artist," they not only will come to love and crave the experience of painting but they will also be good at it too!

Lesson Idea :: Mehndi Hand Sculptures **Updated with Student Work** :: World Art Study

I promised this to you last week when I presented the lesson project idea of Mehndi Hand Sculptures and today I have the completed student work for you! This has been one of the most successful project endeavors of the Interactive Art History class in the (now) four years that I taught the class and I am seriously proud of how the students have done with this even with it only being the first time trying it. And? This is the second major project idea that I have done with Plaster of Paris so perhaps I have a signature medium for myself? I mean... does that even exist? Well, whatever, here is one more art education idea where Plaster of Paris is quite handy. *pun intended*

I feel like this is a great way to do the art of Zen Doodling and making it that much more challenging and impressive since it applies designs to a three dimensional surface. Some of the most interesting of designs were students who really attempted to depart from the minimum of simply sculpting the hand and then applying designs. The hands that were gestural were incredibly impressive and the students who attempted to add color to their hands - which made them decidedly less Mehndi in style - were even more successful overall. There were creative risks that some of the students endeavored to take and I am very proud of them for that alone. 

This project held student interest from start to finish and I helped to keep them invested by encouraging them to make their design work as densely packed as possible. I did not discourage the use of color and while classic Mehndi designs have a sort of natural feminine flair to it that might have turned the guys off, I encouraged the guys to think of tribal design work instead of things that were floral in nature.

I will definitely be doing this project idea again and now that I have one round of experience with it I fully intend to try and raise the bar next year. I am already researching and working on how that will happen so watch out for me next Spring when it's time (again) for the Interactive Art History class. And if you do this project idea with your classes? Let me know! I love seeing how much better and different things look beyond my classroom.

Lesson Idea :: And so they prayed - Illustrations :: 2D Design

This lesson idea is not my own and was inspired by the book I so love called Drawing Lab for Mixed-Media Artists. The book suggests a creative exercise that challenges you to draw something silly or funny that someone says. I have seen this sort of thing elsewhere on the web (but I can't seem to find it to connect it here) and I have always loved the idea of this but I have never done it. This year and this semester's 2D Design class seemed to be the perfect time to take the idea for a spin.

One of the biggest challenges for me were collecting silly quotations said by kids that could be colorful and interesting enough to yield super imaginative drawings. You would think such a thing as this would be easy but actually it wasn't. A lot of the collective I found online featured "kids say the darnedest things"-type items that included bad language or otherwise very suggestive things that is just inappropriate for my high schoolers to attempt to take a part and then reassemble. After struggling to find maybe a handful of appropriate things I considered using my almost five year old daughter for fodder and consulting this small book that I keep with silly/funny things she has said or done. Surprisingly, only a few of them fit the bill for what I was looking for. Many of them were darn near impossible to try and imagine much less visually interpret in mixed-media works. The ultimate winner for me was when I stumbled upon a collective of cute and silly prayers that kids have said and people have submitted to online collectives. It was totally appropriate for my purposes because 1) it was faith-based and I teach at a Christian school and 2) none of the prayers had anything inappropriate but all would definitely guarantee some colorful and imaginative depictions.

Below are some of what the 2D Design students came up with along with the prayer snippets that they randomly picked from a bag. The goal was for them to be as literal as possible with their visuals in order to properly illuminate their prayer snippets. They used watercolor and ultra fine sharpie ink pen on aquabords.

"Dear God, thank You for the baby brother but what I prayed for was a puppy."

"Dear God, did you mean for giraffes to look like that or was it an accident?"

"Dear God, did the unicorns miss the ark? Too bad the skunks didn't miss."

"Dear God, I heard the moon was made of cheese. Tonight half of it is missing. Did you get hungry?"

"Dear God, I heard the moon was made of cheese. Tonight half of it is missing. Did you get hungry?"

"Dear God, I know you see everything. Please don't tell my mom about my bad test grade!"

I don't know that I will attempt this project idea again but if I do I might likely do it as one of the first project endeavors for the 2D Design or Graphic Design class. It seems to have great potential to serve as a bit of a pre-assessment sort of tool for the purposes of gauging skill/technique in beginning artists and it also is fun without sacrificing the opportunity for the students to really gain something important from it which is to force themselves to think in the most colorful and imaginative ways possible.

The ROYGBIV Project :: Put a fork in it! :: Pt. 5 of 5

Without further adieu... I present to you The ROYGBIV project in all of it's finished glory!!!!

The installation makes the gallery hallway such a happy place!

Once the students got to the point where they were able to start installing their individual sections of the total installation and they got to see it all come together they were really motivated to get the whole project DONE and it took only a matter of a few days for them to all really pitch in and get things hung up and adjusted no matter what subdivisions they originally volunteered themselves for.

One element that was a final "finishing touch" was hanging painted (with tempera) sheets of acetate sheeting on alternating window panels all the way down the hallway. The hope was that the natural light could shine through the painted sheeting and then cast colored light into the hallway. It didn't work but it did look pretty interesting from the outside and it has served as great encouragement for people to see it across the "quad" and then come walk through the gallery hallway when they otherwise didn't have a reason to venture that way in the first place.

Next  year when we do a different ROYGBIV installation I will allot money in the budget for colorful cellophane.

The sun group had some serious challenges with trying to rig up something that would support the overall structure, girth, and unexpected weight of the finished work. Fishing line did not work after trying it multiple times so the winning solution was to use 14 gauge aluminum sculpture wire that supported the sun from three different points. It doesn't look like a literal interpretation of what the sun looks like but I think it works being abstract the way it is.

The sun is suspended at one end of the hallway where it can hang the highest from the ground.

Obviously a good number of the rainbow drops didn't hold their shape perfectly but I think it's OK. The student artists who worked on them weren't totally disappointed and I was really proud with the way they pushed through to the end even when it was very VERY challenging and discouraging at times. Their perseverance is so commendable and they really pulled things together in the end.

And the clouds group? Well, they had a bit of an unexpected advantage from the get-go because they didn't have to figure things out since they followed some directions found online. *shrug* They did have one of the messiest portions of the whole installation though so they had their fair share of challenge at times. Their original plan was to shade the clouds a little to make them look "stormy" but in the end that wasn't necessary and they simply used some of the natural darkness that was cast from the inside out that derived from the newspaper that they used for the center form of the sculpturing!

For a second try at studying installation art with the 3D Design class, I would say this attempt was successful. So many people - students and faculty/staff alike - have commented really positively on the entire installation and part way through the hanging of everything I already had inspiration come upon me for what will be done for next year's endeavor! If you can believe it it will be much of what you see here PLUS a little bit of some extra that is pure fun and lightheartedness. Hard to believe it can be bigger than this? I guess you'll have to hold me to that and visit me next year to see what it will be all about.

Thanks so much for sticking with me for this week long series! Next week is Spring Break for my school but I will be queuing up some postings that have been waiting around for their chance to be shared in addition to working on graduate school assignments and also (FINALLY!!!) doing some painting at the easel at my home studio.

Have a great weekend! See you next week!

---

This installation art study was student-centered and collaboratively designed and constructed (across two classes). It utilized paper sculpting and papier mache, string wrapping, spray painting and brush painting, fiber application in order to create a sun, clouds, and rainbow display suspended from the ceiling of the student art gallery hallway. It was originally presented in a week long series that showed the planning and creative processing, the beginning part of the sculpting/working stage, the point just about when everything was done being sculpted, and then some notes about when things went awry and how those things were dealt with. The final view of it can be found HERE. This project was meant to be a re-imagining of The Ombre Experience project idea.

Social Media for GOOD :: Turning Emoji into ART

I am a fan of Emoji. (There I said it!) Do you know what Emoji is? It's a Japanese term for a keyboarded language (think texting and online communications) that used picture icons and characters in order to communicate messages. Basically, it's modern day pictographs and while it's not something that all smartphone users have/can do, it's something that is a bit of a fun bonus if you are an Apple/iOS user because it's the Emoji keyboard is one that you can enable on your Apple device (iPhone or iPad) in order to create little scenes in the screenshots below that I created in text exchanges with a friend of mine...

To put credit where credit is due, the above Emoji art scenes were not originally designed by me and I searched through #Emojiart on Instagram in order to be able to find ideas and then I created them and sent them to my friend through texting bubbles. Still, they are fun right? And Emoji keyboards have TONS of options that include food items, animals, people, transportation vehicles, and buildings! And after I did the above, I really got to thinking that Emoji art could really work for art education and would be a great way to interact with my art students electronically if I wanted to. I mean, it seems like it could really lend itself to an Emoji Art contest or something and I think that could be kind of cool. Also, even though you sort of need to have an Apple mobile device to be able to do it, it's becoming a standard enough that kids could do it as teams and submit their Emoji Art jointly from one person's phone.

Anyway, Emoji Art is pretty fun as it goes and if you haven't tried it before? Try your hand at it. It's pretty fun and can lend itself to a unique outlet for creativity.

Quick Sculpting is AWESOME for Summative assessments

[This is from a while back but it's taken me a bit to get caught up so pardon me.]

 Do you do pre-tests/assessments in visual art?

This is from the very first assignment for the 3D Design class as a way for me to assess where each of them was starting from - skillsets, general understanding of art and design, etc. The inspiration for each of the sculptures was for them to sculpt what it feels like to look at a rainbow. Essentially, they were each sculpting an emotion which was challenging for some but at the same time many of them enjoyed the challenge and really sought to tackle it well. They were only allowed to use paper and simple adhesives like tape and white glue and they were instructed to do their best to make it as clean in construction as possible.

After they spent about three days working on it I had another class (a 2D Design class) critique and visually "read" what the sculpture was attempting to communicate while the 3D Design classes critiqued and read the 2D Design pre-assessments. All of the students were very interested in find out what the other students read from their work and I was able to read where they were in their art understandings and abilities! It was pretty successful overall.

Lesson Idea :: Cartoons in the Round :: 3D Design

As an art teacher I get bored easily with lesson and project ideas. Does this happen to you?

For this reason, I do my best to not repeat lesson and project ideas if I can help it but if that has to happen, create an iteration of time to happen such that there is at least a semester or even entire school year in between repeats.

That being said? A favorite of the 3D Design class I teach is clay sculpting cartoons. I like to do this with them as a bit of a final/finale project and (in turn) a reward for all that they have learned and hard work they have invested through the whole semester. And while I usually love/hate dealing with clay because I have a shared studio classroom, by the end of the semester I usually have full confidence in the skillsets and individual investments of each student to know that they will not waste any of their time or high quality materials that they are provided.

The last time I did this project was at the end of the Fall semester of 2010. It is such a favorite project that I try to let at least one 3D Design class do it per year but as it ended up happening, it didn't work out last year because of the budget. This year though, I was able to make it happen and it was quite a success. Here are the finished pieces from this year...

This one started out as Bambi but structurally it just wasn't working it out so I helped the student artist to steer it this way.

I had the students do a few different things this year than I have in previous ones. One of the major ones was they were required to make armatures and then cover them with clay in order to ensure that each of their finished pieces were a little more structurally sound and less likely to break apart. Doing this sort of worked in teaching them that the inside part that you don't see is just as important as the outside that you do see but not all of the armatures worked out so well. I attribute this to the fact many of them didn't use clay thick enough to fully encase the armatures and as the clay shrunk when it set, the armatures were popping and pushing out in weird ways.

Some of the things that remained the same though were the fact that we used boneware clay as we always do, we fully utilized clay sculpting boxwood tools that you can buy in a class set for a really reasonable price, and the students were each required to draw a front view, side view, and aerial view of their design ideas in order to help them better visualize what they would eventually have to do and then for me to be able to help them if they had issues rather than relying on their verbal directions that go something like this, "Well... it kind of has this thing that goes around and then comes back again and it's kind of big but not really." o_O  Seriously. I cannot help a student artist who is going to give me that kind of information to go from in order for me to be able to help them.

All of this being said? I continue to very much like this lesson idea to keep using it in years to come.