YouTube is the BEST :: Drawing with Anna

How often do you use this youtube? Never? Well... allow me to possibly change you mind about that!

Back up a little bit: Do you ever remember your days in school when you would walk into class and standing at the front of the class where the teacher would be was the coveted and adored A/V cart? (A/V=Audio Visual). You know what I'm talking about, right? The tall metal cart that had a television and VCR (and later DVD/VCR combo) secured to it that basically meant one thing - VIDEO DAY IN CLASS!!!!!!!!!

Well, using Youtube videos are just about the equivalent to having a video day in class for any kid. Seriously. They almost don't even care if the youtube clip is hokey or not. Most of them will watch just about anything you present to them AND enjoy it AND remember it. Which is the BIG kicker!)

For the purposes of visual art instruction, I am a hardcore believer in the power of demonstrations. I mean, what better way to explain something than to SHOW them how and what to do, right? But in all honesty, demos kind of drive me crazy sometimes. For whatever reason, they require an immense amount for me to set up for both my classes and myself to experience together. I mean, I suppose I could just set up the demo and do it and have the kids do nothing but sit and watch but I have found that to be unproductive to a point because they will get side tracked and just generally do their own thing and waste materials. Also, if they need/want me to repeat a certain step after I have gone beyond it? Well... most demos that I do are very prohibitive of that being able to happen.

Enter the Youtube's Drawing with Anna!!!!!

Perhaps you already know Anna very well and I am behind the times but if that's not the case, join me and get with it!!! Drawing with Anna is AWESOME!!!!! She has only a handful of instructional videos but they are very useful and I have recently used two - the Continuous Line Drawing video and the Blind Contour video:

I used both of these videos in the 2D Design class that I am currently teaching and while Anna can be a little hokey for high schoolers - she is honestly pretty sweet, an awful lot like someone's really nice mom, and she does a pretty decent job at teaching the general jist of both Continuous Line drawing and the Blind Contour drawing. It was also nice to be able to have a video that I could stop and start and back up as I needed to in order to specifically speak about different things that are relevant to what I am doing with my students and their project work currently.

So there you have it! I am a fan of Drawing with Anna. And now you can be too!

Lesson Idea: The Deconstructed Book | 3D Design

This lesson idea is actually from my personal archives and is a project that I did my very first year of teaching at my current school but then I did it only one or two more semesters (out of a total of nearly eight that I have worked so far) after I did it the first time. I stumbled upon the original idea on Etsy probably at least five years ago but probably more and (like I always do) I mentally bookmarked it for the purposes of knowing that I would need it again in the future.

When the Lord was finally so gracious to put me in the classroom as an art teacher? Well... I got right to work with it and every student artist of 3D Design I had (of three sections total) did this project and we filled the student gallery hallway with these and it was, in a word? INCREDIBLE. It was like exploding books were simply raining from the sky and without me even realizing it I had essentially facilitated the first installation art exhibit I of my life. In the history of the school where I teach nobody had ever endeavored to hang student work from the ceiling so it was quite a bit of something to behold and (thankfully) I didn't get in trouble for drilling holes in the ceiling. (Sometimes it's better to ask for forgiveness than permission, right?) I wish I had some pictures to share of what it looked like but I don't and to show you what it really looks like we all are just going to have to wait for this coming semester's 3D Design installation exhibit endeavor because I plan to do the idea with them but put a bit of a spin on it. (You'll have to wait for the details of that!)

Still, I wanted to share this with you now because a parent of a student at my school is an art teacher at a local amazing public high school and she sent me an email asking me how I did this project. I started to respond to her email but then I realize that what I was about to respond with to her is something that others might enjoy knowing about as well and why don't I just put it on the blog? So... here I am! And here it goes... this is how I went about teaching my student artists how to do this deconstructed book project.



(My husband was so nice to keep the yelling at bay during the filming of this video. He knew I was going to be doing it and I hardly paid attention to him and the fact that he turned the TV down and kept a lid on the yelling specifically because I was filming the video! He is such a good guy that husband of mine.)

(Also and again, please pardon the ridiculous book that I was forced to use because I didn't have any other book in the house that I otherwise would have wanted to deconstruct. I still cannot figure out where the book came from in the first place and I am completely embarrassed to have it in my house for the language that was used in it alone! I mean, I don't consider myself a type who lacks a sense of humor and there was a stage in my life when I definitely did use some rather colorful language (like that found in the book) but still! Anyway...)

 So that's the deconstructed book art education project and lesson idea! Hope this was helpful to you and if you end up giving this a try, please let me know how it goes because I really love seeing how other people do things differently than I do.

Lesson Idea: Our Common Threads - Printmaking | 2D Design

In this introduction to printmaking project, some of the learning objectives included the following:

• Create original works as inspired by the masterworks of printmaking artists such as Andy Warhol and Claes Oldenburg
• Visually present social and cultural commentary (explained below) from a Christian worldview
• Learn how to design and create limited edition prints from start to finish
• Use a 2D surface to show a 3D image/form
• Learn and use visual art vocabulary of printmaking

I kicked off this project with a Keynote presentation of printmaking that focused on the works of Warhol and Oldenburg so that they students could see and discuss examples of Pop Art. We took the idea of what Pop Art does - glorifying the already glorified - and we attempted to create designs that did  a little bit of the opposite by picking every day object and glorifying those. The students were instructed to pick objects that would be owned by the "haves" just as much as the "have nots." They were to think about and be able to verbalize the reasoning of why their object might be something the "haves" take for granted while the "have nots" might really prize for specific reasons. We had lots of in-class discussions about the differences between the haves and have-nots and I also share the work of photographer James Mollison in the collective he created called Where Children Sleep. (I showed them the website but I also have the printed book - which is outstanding - and the students were awed by what they saw.)

The students used scratch-art foam printing plates to create their printing matrices and they went through an exhaustive process (as framed by this original instructional method that I developed and have been using for all of my lesson plans) in order to go from inspiration to as series of four limited edition prints per student. Each student was required to destroy their individual printing matrices right after their fourth impressions were made in order to absolutely ensure that their prints would all be limited editions.  Why limited editions? Well, because I want them to feel as much like true artists as possible! I posted something of the creative working process last week and HERE IS THAT POSTING if you want to see what we did and how we did it.

Here is a sampling of some of the amazing print sets I will be going through to evaluate and grade. I am SO proud of what the students designed and created but I'm also really overwhelmed by the amount of artwork that I now have to grade!!! Normally it's only one piece per student. Requiring the students to do a four part series of work basically quadrupled my work load. Oh well. It's worth it. (Or I keep telling myself that.)

I think these prints - shown in two different orientations - were very successfully created.

This particular student artist is VERY naturally talented at drawing specifically so her design was very well done.

This is another student who is great at drawing and has terrific attention to detail. (Obviously.)

I am not sure if the misspelling of the word 'homeless' was on purpose or not but knowing this student, it's probably safe to assume that it was completely intentional. Such clever students I have!

This design was so simple but so successful! I had a hard time picking which print to share with you. 

One of the few prints that was done in grey ink. I am such a fan of grey but I love how this student mixed the color and then applied the ink so it resulted in having a very subtle vignette to this print.

I appreciate the distressed quality of this print. I also think the color combination helps to add to its success.

This is one of my favorites overall. The design of the plate itself was wonderful and the use of color to make it look like the color of the flame and then the black that represents charring? And the distressed look of the ink? AWESOME!

I really enjoy the simplicity of this one and the fact that the student used just one single color. 

This project was a HUGE hit for the students and I will most definitely do a printmaking project again with the 2D class. It was just enough of an introduction to this artform that it really whet their palettes and left them hungry to do more art of this type and... well... any type really. Now that this project is over they are super excited to get started on the next one (which is even more challenging). It's all about strategic planning and I am delight to report that my strategy is playing out very nicely. *wink*

Lesson Idea: The OneLiner | 2D Design

One of my favorite things to do with the students is continuous line blind contour drawing. It almost always yields works of art that are interesting and intriguing. The element of surprise and leaving the act of creation up to a little bit of chance helps the students to let go of themselves and learn to trust themselves as well. It also proves to them that successful pieces of artwork don't always come in moments of highly-controlled planning and preparing and some of their best (and most favorite) works sometimes come organically and spontaneously.

This project was called the "One-liner Modern Art" drawing but I decided to just call it "The OneLiner" because I felt like for my purposes? That just makes more sense. The idea of taking the continuous line drawing and melding it with the technique of blind contour drawing aimed to teach them to learn to do mastercopy type work as well as drawing from still-life observations. They were also able to experiment with mixed media and they used crayon, watercolor, graphite, charcoal, ink, and marker for the coloring of their line drawings.

I adhered to the same framework I started with and introduced to you all last week with the Drawing from the Abstract lesson idea and this project idea (like the aforementioned) was inspired by something that I found in the Drawing Lab book that I love so much. I tried to preserve the essence of the drawing exercise but I expanded upon what it suggested and then fit all of that into the framework I am continuing to use for the creative process the students are learning to follow:

1. Explore & Experiment - The students did speed drawing exercises both from still-life set ups as well as masterworks (I used this one from Picasso that is so popular - yes, the students did this upside down)
2. Figure Out & Focus - The students did multiple peer reviews in order to help them consider techniques that they might have tried OR identify which technique they have used so that they can use it again and then intentionally create a work of art using that technique. They also did trials of either mastercopy works and/or working from a still-life set-up. They also tried out color palette ideas and different mediums.
3. Stick or Scrap - The students looked critically at their own work and they decided whether they liked what they had been doing or if they wanted to go back to step #1 or #2 in order to create something that they felt was a little bit more successful and adhering to their goal with the work of art. Some of the students decided to abandon their mastercopy efforts and decided to go with one of the still-life set-ups and vice versa. They used intentionally decided upon color palettes and applied the color in specific ways.
4. Know & Go - This is when the students got their final support to work on (watercolor paper) and they went confidently in the direction using specifically decided upon techniques and color palettes. 

I differentiated instruction with this project by offering them four different drawing examples for them to choose from if they did mastercopy works and two different still-life set-ups if they wanted to work from observation. I also allowed them to use whatever medium they wanted to work with as informed by their creative processing. Here are the two still-life set-ups that I gave them to work from...

I encouraged the students to get up from their seats and position themselves as they decided would output the best and most interesting perspective of the still life they selected. They had large drawing boards and I also allowed them (on some days) to listen to "personal music" in order to help them stay focused on their task at hand.

Some of the final works the students created are here! I am SO proud of them for what they both learned, figured out on their own, and created INTENTIONALLY vs. just making for the sake of making something. They worked very hard and it definitely shows (I think)...

Mastercopy work

Still life

Mastercopy work

Mastercopy work

Still-life

Still-life

Still-life

Still-life

Many of the students initially thought that they wanted to do a mastercopy but then they changed their minds because they realized the creative liberties they could take by creating something completely original (and in their unique styles) by working from observation. It was very exciting to see this discover this and also watch their technique and individual works develop from trial to trial and then make it to the final work that they turned in. I am having an especially difficult time picking pieces to go into the student gallery and that makes me so excited!! Now if only I could have the wall space to be able to show them all.

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of this blog's first ever giveaway of my "favorite things!!!"

REMEMBER: You have to leave your comments on the blog post that announced the contest found HERE VIA THIS LINK in order to be officially entered and considered in the final count to be randomly chosen for the prize package. Don't forget that there are TWO ways to be entered in the giveaway and the cut off time/date is Tuesday, Sept. 25th at midnight EST!!

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Lesson Idea: Worm Tunnels

Just a reminder: this project idea was not an original one and was actually something I saw on another amazing art education blog called "Art with Mr. E."

Mr. E originally did this project with elementary aged students but that didn't deter me from considering as something for my high school level artists. Every one of them would attest to the fact that this project was far from simple and also amazing to have been able to work on and enjoy in its finished state. (See samples of student work below)

I adapted this project for the high school level by making this piece larger in scale overall - each piece was 22"x28" in size. My reasons for doing this were the following:

• Larger surface area of design allowed for this to be a long-term project
• The finished design is quite a sight to behold but even more impressive if it's on a large scale that encourages it to be framed and kept by each artist
• This was used as a bit of a final assessment piece meant to evaluate their overall understanding of the following items: technique for drawing lines and using shading to show contouring, selection of a workable and interesting color palette based on color theory, management of class time and personal workflow issues

I am very pleased with this collective of work the students did both for their 2D Design experience for Fall semester (the foundational class is only one semester). Though some students failed to complete high-quality work because they didn't finish their pieces at all or completed them in obviously messy and rushed ways, this project worked to be a reliable indicator (i.e. a solid assessment piece) for how far they have or haven't come.  It was interesting enough for them to be self-motivated to keep working on, serious enough for them to be challenged on a multitude of levels, and beautiful (as finished pieces) for them to want to save as their last hurrahs for their 2D Design studies OR to be baited into taking more art courses.