Gotta love when I can review something and like it enough to say lots of good things about it. If you're an art teacher (or gallery manager) who has a love/hate relationship with displaying artwork, you gotta see this!!!
Don't mean to just put product reviews on here or even videos but I'm having such a good time figuring out iMovie as I've never really used it before. Also, videos are just kind of easier for me to do over written blog content. *shrug* Just tryin' to keep it real. ;)
Don't forget to enter the "Giving YOU the good stuff" (from Prang) fine-line marker giveaway by this coming Thursday, October 31st, at midnight HERE in the comments section. This isn't sponsored by Prang and is something that I just wanted to do because I like the Prang products so much after using them.
Remember: You don't have to tweet anything or follow me on any social networking conduits.
Just answer the question in the blog posting HEREin the corresponding comments section and I will pick a winner randomly and announce it on Friday, November 1st! Good luck to you in winning it the prize!
One of the greatest art ed resources that I think I might have at any given time is something I call "back pocket" project ideas. Are you familiar with these? Perhaps you know them by a different name. Perhaps you call them "plan D" or "the plan you have when all else fails." *ha!*
Seriously though. For me, "back pocket" project ideas are those that add in plenty of learning but also allow for just as much fun just for the pure fun of it. They are also good for those times when scheduling is tight and doesn't allow for longer running projects OR for when you need a "filler" but you don't want to use fluffy filler because... well... why just fill time, y'know?
Last year at the tail end of the year, I did two "back pocket" ideas that were a huge hit. This one actually was inspired by the fact that I was slightly annoyed with the fact that a paper airplane craze got kicked off among the students and they would be flying across the room at any given time and most of them were not even that well designed enough for them to fly even part way across the room! I was constantly saying to the students that if they were going to endeavor to throw paper airplanes, they should at least design and make them well enough that they could actually fly right! All of this got me thinking that perhaps I could take my personal irritation of poorly designed (and made) paper airplanes and allow for a real teachable moment.
This work was done almost three semesters ago by the 2D art and design students and I never got around to sharing it with you all! While it didn't pan out entirely as I had planned it would, I feel like the final works are still interesting and provided a great in depth study of lots of the principles of design and elements of art. I called this project endeavor "All Creatures Great and Small" since the subject matter was animals.
The inspiration of this project endeavor came from Heather Galler's Art on etsy. Clearly the students saw what Ms. Galler did and took a whole lot of creative liberties but I didn't have the heart to tell them not to be quite so ambitious and adventurous.
The students worked on poster board support and then used solvent based pens and markers to draw and color each of their works. I stressed the importance of using the positioning and arrangements of the patterns in order to show correct form as much as possible.
Today the Interactive Art History students are finally getting their paint brushes at their mini canvases for the ever popular Mini Masterpiece project idea. In the past they have been both excited and incredibly intimidated by the teeny-tiny canvases both this year I think I finally discovered a way to allay the fears because check out what they did with these Artist Trading Cards...
If these don't show that they are reasonably prepared and confident for really turning out some extraordinary tiny paintings that I don't know what will prove it. They will work on their tiny canvases for at least a week (starting today) in order to leave enough time for them to set and dry to give as mother's day gifts. I really look forward to sharing their finished works with you all because if this is any hint at what's to come? Surely they are going to be amazingly done!
This is my third year of doing the ever popular Mini Masterpiece project with the Art History students and this year I decided to add something into the creative process of it by having the students do some trial runs with artist trading cards (ATC). Do you do ATC at all with your students?
In all honesty, I have wanted to get in on the ATC "game" for quite a while and I even have quite an inventory to do it - I ordered different supports in ATC size at the beginning of the year - but I haven't been able to get it and keep it going. I blame the ridiculous schedule I keep at any given time with working full-time, graduate studies (also full-time), married and family life, and everything else in between.
(Next year, my goal is to definitely get ATC creation and exchanges going here within the school's art community and then eventually have it connect with another school/art community. I think it would be a great for a student leader to spearhead and so it's on my goal list to make happen in that way. Anyway...)
I have all of these ATC but I haven't used them this year so far. Last week there was a major school-wide field trip that happened though with the Science department and I was left with only half of my students in almost every class! It was the perfect time to break out some ATC for the students to do some creative processing and exploration. I found it especially useful with the interactive art history students since they are prepping for doing the Mini Masterpiece project and the ATC are just the right size to get them to start thinking about scale in order for them to do more successful works of art when they get their final materials.
I put my hand in this shot so you can get a better understanding of how small they are!
The students used the Portfolio brand Oil Pastels that we are such a huge fan of and they all turned out some pretty amazing ATC that many of them took with them in order to be able to give to their friends and/or hang in their lockers.
I have never done ATC before but I feel like it really worked as a nice stepping stones for art history students to feel a little more prepared and confident for when it comes time for them to put paint to canvas.
In continuing to prepare the 2D Design class to jump right into landscape painting from picture reference for their turn of doing a Place of Grace, we got our proverbial feet wet by wave painting!
While we could have done a youtube instructional video for this one, after the clouds in the sky and the tree, I felt like they should attempt the waves a little more on their own. I did provide some instruction for the purposes of prompting them to connect what they would do with the waves back to the tree and the clouds - like helping them to realize that the crest of the wave is not unlike the clouds or the foliage of the trees. I also helped them to see the darks, mediums, and lights of the sections of the wave as well as helping them to understand where things should be more heavily blended and where their marks should be preserved as they are.
Overall, the goals of the wave painting were to allow them to have a lot more autonomy, be a little more intentional with their marks, and prove to them that they can paint (and well at that!) by using a picture as a reference. I differentiated the instruction by allowing them to select which wave they would do but by the end of the exercise they all had attempted to do both to of them. I projected two pictures I found of wave paintings online and I projected them split-screen style on the dry erase board so I could label them as I needed to.
You can see some of the labels I drew on top of the pictures.
And here is the student work! The students are getting better and better with their marks and I am so delighted with how they are becoming more "painterly" with their work overall. I am especially excited because this is a class of student artists who are very much foundational in what they know of art so this is their first major endeavor into really producing something that (for them) will feel a lot more legitimate. See if you can figure out which wave (A or B) that they did based upon their work!
This student wasn't done but I believe they have the essence of the wave they were attempting.
There was a lot of peer tutoring going on amongst them a they did their work and I know that helped. Many of them also learned (and demonstrated!) the importance of not just drawing in the center of the paper and using the whole space of the paper. Showing them how to bleed and anchor the shapes, colors, and values to the different sides of the paper really helped them to better understand the overall composition of each of their pieces.
One last thing I did was to play a youtube video as background "music" in order to make their painting as full sensory as possible. It was so relaxing hearing the waves crash every day that they did this. Here is one I used...
This is the first year that I have used youtube at least every other day - for either co-teaching instructional purposes OR to do things like helping to create a more authentic experience of creation in the studio classroom and I am going to keep doing it because it has really made a difference for the students and their work.
Something else of all of this painting of landscapes? I am convincing them (as I told them I would!) that despite any of their individual claims that I ALWAYS hear from them of "I am not an artist," they not only will come to love and crave the experience of painting but they will also be good at it too!
I promised this to you last week when I presented the lesson project idea of Mehndi Hand Sculptures and today I have the completed student work for you! This has been one of the most successful project endeavors of the Interactive Art History class in the (now) four years that I taught the class and I am seriously proud of how the students have done with this even with it only being the first time trying it. And? This is the second major project idea that I have done with Plaster of Paris so perhaps I have a signature medium for myself? I mean... does that even exist? Well, whatever, here is one more art education idea where Plaster of Paris is quite handy. *pun intended*
I feel like this is a great way to do the art of Zen Doodling and making it that much more challenging and impressive since it applies designs to a three dimensional surface. Some of the most interesting of designs were students who really attempted to depart from the minimum of simply sculpting the hand and then applying designs. The hands that were gestural were incredibly impressive and the students who attempted to add color to their hands - which made them decidedly less Mehndi in style - were even more successful overall. There were creative risks that some of the students endeavored to take and I am very proud of them for that alone.
This project held student interest from start to finish and I helped to keep them invested by encouraging them to make their design work as densely packed as possible. I did not discourage the use of color and while classic Mehndi designs have a sort of natural feminine flair to it that might have turned the guys off, I encouraged the guys to think of tribal design work instead of things that were floral in nature.
I will definitely be doing this project idea again and now that I have one round of experience with it I fully intend to try and raise the bar next year. I am already researching and working on how that will happen so watch out for me next Spring when it's time (again) for the Interactive Art History class. And if you do this project idea with your classes? Let me know! I love seeing how much better and different things look beyond my classroom.
How do you feel about co-teaching methodology? Is it something you use at all? Do you like it? Love it? Or could you honestly just leave it?
I teach at a private high school currently but I used to teach core subject (Reading and then Social Studies) in a public middle school. While I don't have a requirement to use the co-teaching model anymore - both because of where and what I teach - I, honestly, miss it. Whether in a special education setting or not, I feel like it's an effective way to teach students especially for certain things. Now, visual art education is not something that would typically have co-teaching even in the public school because it's usually restricted to special education settings for core subjects alone. However, that doesn't stop me from trying to bring it into my visual art education classroom. Sometimes an extra set of hands in the classroom for the sole purpose of doing "hand over hand" type guiding would be awesome and it occurred to me that I could make it happen with the extra set of hands being my own!
Perhaps I am behind the game on this but I am discovering that Youtube is a wonderfully useful instructional tool to use in the art classroom specifically for the following reasons:
You can start and stop it or replay portions of it as often as needed
In real time demos, sometimes you can't redo certain steps but maybe one time for the students to see again so it can feel like you are using unnecessary amounts of materials.
When you are doing real-time demos you also can't see the students doing things alongside you as easily because you are the one in the front of the class.
If the students end up really going in the wrong direction while following you (in a real-time demo), they keep going that way (and using unnecessary amounts of materials, in turn) until it's too late to stop them. Of course, you can use their misstep as a teachable moment like anything else but? Well... I don't have an exorbitant amount of materials to use like this - do you?
Youtube or streamed video almost always yields a captive audience for this age-group. Even if the video is bad? Well, it's that much more compelling for them to watch from beginning to end.
First off, picking the right Youtube video is key. I have about 53 minutes of instructional time but even with that much time, I have to consider getting the students set up with their materials and then the stopping and starting and replaying of the video that will inevitably happen. Through trial and error I have discovered that five minutes running time is about the most ideal. Below is a video that runs slightly longer than that but not so much that you can't make up the time with just fast forwarding through it.
Here are some samples of what was turned out! Bear in mind that many of these student artists have incredibly limited experience in the studio arts. The 2D Design class is a foundational course which means many of them have never taken a high school art course before and maybe even never will again since taking this course satisfies a half fine art credit that they need for graduation. Considering all of the aforementioned, I would say the student work is very successful.
Some of my goals with this were the following:
Quick(-ish) skill building for the purposes of having more successful and realistic finished works in the Place of Grace painting project that they are about to embark on.
Help them to realize the importance of the integrity of the marks they leave in their work so they are more painterly and, in turn, produce more realistic depictions of things in the end
Teach them to paint what they see vs. what they think a cloud looks like
Build confidence within them so they can see that doing something the right way can be learned relatively easily, can be very fun, and makes a huge difference in the quality of their work in the end
Show them how to use color AND value together along with layering in order to show depth and dimension on a 2D surface
Prove to the students the importance and power of following directions just as they are given because it really does produce stronger and better results in the end
Complete an assessment for the creative processing of their individual paintings
Something that can be done in conjunction with this for the sake of really strong experiential learning and connection is by having them do a quick exercise before this where they draw/paint what they think a cloud looks like with no reference whatsoever about how it really should be done. They will likely draw the puffy, cartoon-like clouds and be convinced that is not only adequate but even successful visual depictions overall. Once they do the follow along with the Youtube demo at least one time they will see how easy it is to draw/paint realistic clouds and they will want to do it that way because it honestly does look so much better.
Tomorrow I will show you one more round of co-teaching with youtube along with student work that was before the demo and after they had completed it. I will also discuss where to take this skill-building and how to connect it with others in order to have a series of assessments to evaluate them from in the end.
This lesson idea is not my own and was inspired by the book I so love called Drawing Lab for Mixed-Media Artists. The book suggests a creative exercise that challenges you to draw something silly or funny that someone says. I have seen this sort of thing elsewhere on the web (but I can't seem to find it to connect it here) and I have always loved the idea of this but I have never done it. This year and this semester's 2D Design class seemed to be the perfect time to take the idea for a spin.
One of the biggest challenges for me were collecting silly quotations said by kids that could be colorful and interesting enough to yield super imaginative drawings. You would think such a thing as this would be easy but actually it wasn't. A lot of the collective I found online featured "kids say the darnedest things"-type items that included bad language or otherwise very suggestive things that is just inappropriate for my high schoolers to attempt to take a part and then reassemble. After struggling to find maybe a handful of appropriate things I considered using my almost five year old daughter for fodder and consulting this small book that I keep with silly/funny things she has said or done. Surprisingly, only a few of them fit the bill for what I was looking for. Many of them were darn near impossible to try and imagine much less visually interpret in mixed-media works. The ultimate winner for me was when I stumbled upon a collective of cute and silly prayers that kids have said and people have submitted to online collectives. It was totally appropriate for my purposes because 1) it was faith-based and I teach at a Christian school and 2) none of the prayers had anything inappropriate but all would definitely guarantee some colorful and imaginative depictions.
Below are some of what the 2D Design students came up with along with the prayer snippets that they randomly picked from a bag. The goal was for them to be as literal as possible with their visuals in order to properly illuminate their prayer snippets. They used watercolor and ultra fine sharpie ink pen on aquabords.
"Dear God, thank You for the baby brother but what I prayed for was a puppy."
"Dear God, did you mean for giraffes to look like that or was it an accident?"
"Dear God, did the unicorns miss the ark? Too bad the skunks didn't miss."
"Dear God, I heard the moon was made of cheese. Tonight half of it is missing. Did you get hungry?"
"Dear God, I heard the moon was made of cheese. Tonight half of it is missing. Did you get hungry?"
"Dear God, I know you see everything. Please don't tell my mom about my bad test grade!"
I don't know that I will attempt this project idea again but if I do I might likely do it as one of the first project endeavors for the 2D Design or Graphic Design class. It seems to have great potential to serve as a bit of a pre-assessment sort of tool for the purposes of gauging skill/technique in beginning artists and it also is fun without sacrificing the opportunity for the students to really gain something important from it which is to force themselves to think in the most colorful and imaginative ways possible.
Returned from Spring break but I have so much to do now that I am officially in the fourth and final quarter. Where in the world did the rest of the school year go and how am I at the end of another one?
I have plenty that I know I owe you all in updates and other good stuff but I also need to get my grades in for this week for report cards to go out AND I also have some grad studies work due this weekend so gotta put the blogging on hold even longer! Sorry!!!
The above image is a preview at least of what I have ventured into with the Interactive Art History class. I took a pinterest idea and crossed it with a lesson plan found on Dick Blick for them to be able to study World Art! At some point upon my return, I will share the lesson plan idea as well as some of the tricks and tips (and snafus) that yielded from the endeavor. Probably will see you next week if I'm lucky!
Without further adieu... I present to you The ROYGBIV project in all of it's finished glory!!!!
The installation makes the gallery hallway such a happy place!
Once the students got to the point where they were able to start installing their individual sections of the total installation and they got to see it all come together they were really motivated to get the whole project DONE and it took only a matter of a few days for them to all really pitch in and get things hung up and adjusted no matter what subdivisions they originally volunteered themselves for.
One element that was a final "finishing touch" was hanging painted (with tempera) sheets of acetate sheeting on alternating window panels all the way down the hallway. The hope was that the natural light could shine through the painted sheeting and then cast colored light into the hallway. It didn't work but it did look pretty interesting from the outside and it has served as great encouragement for people to see it across the "quad" and then come walk through the gallery hallway when they otherwise didn't have a reason to venture that way in the first place.
Next year when we do a different ROYGBIV installation I will allot money in the budget for colorful cellophane.
The sun group had some serious challenges with trying to rig up something that would support the overall structure, girth, and unexpected weight of the finished work. Fishing line did not work after trying it multiple times so the winning solution was to use 14 gauge aluminum sculpture wire that supported the sun from three different points. It doesn't look like a literal interpretation of what the sun looks like but I think it works being abstract the way it is.
The sun is suspended at one end of the hallway where it can hang the highest from the ground.
Obviously a good number of the rainbow drops didn't hold their shape perfectly but I think it's OK. The student artists who worked on them weren't totally disappointed and I was really proud with the way they pushed through to the end even when it was very VERY challenging and discouraging at times. Their perseverance is so commendable and they really pulled things together in the end.
And the clouds group? Well, they had a bit of an unexpected advantage from the get-go because they didn't have to figure things out since they followed some directions found online. *shrug* They did have one of the messiest portions of the whole installation though so they had their fair share of challenge at times. Their original plan was to shade the clouds a little to make them look "stormy" but in the end that wasn't necessary and they simply used some of the natural darkness that was cast from the inside out that derived from the newspaper that they used for the center form of the sculpturing!
For a second try at studying installation art with the 3D Design class, I would say this attempt was successful. So many people - students and faculty/staff alike - have commented really positively on the entire installation and part way through the hanging of everything I already had inspiration come upon me for what will be done for next year's endeavor! If you can believe it it will be much of what you see here PLUS a little bit of some extra that is pure fun and lightheartedness. Hard to believe it can be bigger than this? I guess you'll have to hold me to that and visit me next year to see what it will be all about.
Thanks so much for sticking with me for this week long series! Next week is Spring Break for my school but I will be queuing up some postings that have been waiting around for their chance to be shared in addition to working on graduate school assignments and also (FINALLY!!!) doing some painting at the easel at my home studio.
Have a great weekend! See you next week!
This installation
art study was student-centered and collaboratively designed and
constructed (across two classes). It utilized paper sculpting and papier
mache, string wrapping, spray painting and brush painting, fiber
application in order to create a sun, clouds, and rainbow display
suspended from the ceiling of the student art
gallery hallway. It was originally presented in a week long series that
showed the planning and creative processing, the beginning part of the sculpting/working stage, the point just about when everything was done being sculpted, and then some notes about when things went awry and how those things were dealt with. The final view of it can be found HERE. This project was meant to be a re-imagining of The Ombre Experience project idea.
A view of the sun and some clouds without embellishments
The sculpting/fabrication process for this project went surprisingly quick despite how much work needed to be done. Before we got started I predicted that the clouds and the sun group would progress faster than the rainbow group and I was indeed right.
Every day I would have a brief discussion at the start of the class and give them feedback and also insight about how and why things were going as they were during the sculpting process both from my own observations as well as from the perspective of me being the "expert consultant" or the mentor to all of them. I would also remind them of the timeline that we were attempting to keep to and I would offer them suggestions about what could be done in order to either speed things up of the whole process OR attend to issues that might be arising. They also had the opportunity to ask me questions or present concerns about the overall scope of things and I was able to address things in some reasonably timely ways.
The second most exciting thing for them to do was to take each of their different elements to the next stage beyond just the foundational sculpting phase. The sun group needed to do some careful cutting work and then paint their object before embellishing it...
And the clouds group had to use a glue mixture to adhere the cotton batting and fiberfill to the cloud forms in order for them to look more realistic and have real texture...
The rainbow group? They plugged away wrapping more and more balloons in glue covered string while they also took breaks to spray paint what they had already made and dried completely...
One of the greatest challenges for me apart from managing some expected challenges betwixt and between them (and I will be address this in tomorrow's installment) was the fact that all of the fumes from the glue mixtures and spray paints being used were not fun to contend with in the studio classroom that I have which was never intended to be the studio art classroom that it is today. After about a week of me doing the best I could to air out the classroom just by propping open the door and then having all of the fumes waft out into the hallway, the building maintenance finally gave me my own window key!!!
The coveted GOLDEN key to the windows!!!
I am on pretty decent terms with the building maintenance team/management AND custodial staff because my path crosses with them in so many endeavors I might have but they like me enough because while I can present challenges to them, I am also one of the folks who can take care of their own messes and I frequently do so in such a way that I don't create a huge amount of extra work for them to do. For this endeavor? They finally just slipped me a window key and told me to be responsible with it - meaning, don't go opening everyone else's windows who might be asking for such a thing and also only use it in the art room when absolutely necessary!
Tomorrow I will share with you some hiccups and snafus of this whole endeavor chock full of some serious teachable moments before Friday when I will share with you all the final view/unveiling of everything as it is all installed in the art gallery.
This installation
art study was student-centered and collaboratively designed and
constructed (across two classes). It utilized paper sculpting and papier
mache, string wrapping, spray painting and brush painting, fiber
application in order to create a sun, clouds, and rainbow display
suspended from the ceiling of the student art
gallery hallway. It was originally presented in a week long series that
showed the planning and creative processing, the beginning part of the sculpting/working stage, the point just about when everything was done being sculpted, and then some notes about when things went awry and how those things were dealt with. The final view of it can be found HERE. This project was meant to be a re-imagining of The Ombre Experience project idea.
This stage was the absolute messiest of all of the stages but it also was the one that the students really enjoyed because it allowed them to really explore and experiment with the creative process and truly give life to the ideas that they were tasked with. Here is a little of what each of the groups were attempting to work with...
Sun group
Idea was pretty close to THIS idea that I had originally shown them
Wanted to paper mache in order to sculpt a single extra-large spherical structure
Needed an exercise/yoga ball for their form
Wanted to pull in some texture by adhering muffin/cupcake paper cups to the outside of the structure after it was completely sculpted
Wanted to use lighting in order to illuminate the structure from the inside out
Clouds group
Idea derived from THIS I found and showed them during the lesson intro
Required them to do paper mache to sculpt multiple different but similar structures
Needed lots of balloons for the form of each structure
Required cotton batting/stuffing for the texture of the clouds
Wanted to do at least seven clouds in order to fill out the gallery hallway space
Rainbowgroup
Idea was inspired by THIS that I found and showed them during the lesson intro
Required them to use watered down glue mixture to soak string so that it could adhere to individual forms
Needed lots of balloons for what would be over 100 individual forms suspended from the ceiling
Required paint in Red, Orange, Yellow, Green, Blue, and Violet
We spent at least a week and a half total of class time doing just the fabrication/sculpting of all of the different elements of the total installation. It was definitely messy and that's not something that all of the students were keen on but with lots of encouragement and redirection from me that this was a GROUP effort and we needed to be unified in order for it to really be successful, it became a rare thing for any of them to sit and be idle for too long. Most all of the students wanted to play an active role because they fully understood that the effort we had to put forth was major and collective. They truly started understanding that if one person didn't invest themselves, the whole of the project would ultimately suffer.
Two groups needed newspaper for papier mache so they banded together to create triangles - because that's the best shape for seamless and smooth coverage - in order to prep the paper.
The sun group gets started on the first of many layers!
The clouds group also got to work but they had an easier time than the sun because there were multiple cloud clusters to work on.
The rainbow group had perhaps the most challenging of all of the elements of the installation to work on both because of the sheer number of items that needed to be sculpted - they were shooting for about 100 total to fill the space we have - and because working with string coated in glue mixture? Well... it's just way messier than papier mache. Surprising that anything could be that way compared to papier mache but it was true! Also, wrapping and layering the string had to be done a little more strategically (read: it was less forgiving than papier mache) so there was a bit of a learning curve for everyone in the sun group.
The sun group discovered it required at least two people to coat the string and then wrap a balloon with the glue coated string. They tried to have at least two stations of this going at once.
One of the balloons that they did as a "prototype" to figure out if it would work, how long it would take to dry, etc.
One of the major challenges from this stage (as with almost every project endeavor I do) is dealing with how to store things when they are in the WiP (work-in-progress) phase. I share the studio art classroom with a part-time faculty member and while it might sometimes seem like I have a pretty cushy set-up (based on what I share on the blog) the room I share with the other teacher is about 2/3 the size of what I know most art classrooms are that are not shared. This always creates problems when it comes to storing supplies or student works on top of the fact that I know my colleague is not usually thrilled with some of my zany endeavors. (They are much more neat and tidy than I am.)
For this project I solved some of the project by storing some of the bags of balloons behind this huge canvas that another student has been trying to work on when they can...
Far from ideal but making the best of what I have is all I can do
Tomorrow I will show you the next phase of the project when we were getting to the stage of finishing up the sculpting and fabrication of the different elements and starting to install it all in the student gallery hallway.
This installation
art study was student-centered and collaboratively designed and
constructed (across two classes). It utilized paper sculpting and papier
mache, string wrapping, spray painting and brush painting, fiber
application in order to create a sun, clouds, and rainbow display
suspended from the ceiling of the student art
gallery hallway. It was originally presented in a week long series that
showed the planning and creative processing, the beginning part of the sculpting/working stage, the point just about when everything was done being sculpted, and then some notes about when things went awry and how those things were dealt with. The final view of it can be found HERE. This project was meant to be a re-imagining of The Ombre Experience project idea.
One of the greatest art ed resources that I think I might have at any given time is something I call "back pocket" project ideas. Are you familiar with these? Perhaps you know them by a different name. Perhaps you call them "plan D" or "the plan you have when all else fails." *ha!*
This is my third year of doing the ever popular Mini Masterpiece project with the Art History students and this year I decided to add something into the creative process of it by having the students do some trial runs with artist trading cards (ATC). Do you do ATC at all with your students?
