What to do now and next

Hi! Sorry for not being around for a long while. I don't have any good excuse of how/why it happened like this other than to just note that I really really needed a break from this blog.

I have been blogging on and off (but mostly on) for over a decade now and (if you've never tried to before) it can be quite a lot of work getting in the habit, staying in the habit, and delivering fresh content. This is especially true for content specific or niche blogging (which is what I do here). After I finished my masters degree (about October/November time) I found that I really and truly needed a mental break from writing papers and doing research and trying to get back on the metaphorical horse after doing such an amazing amount of blogging last year was only harder because of the break that I needed. So? I took the break and that's why it's been so radio silent here.

So I'm back here today to post this but honestly? I don't know when I will be back again and I am still trying to pray about what to keep doing beyond me just feeling like I need to be still and focus on other things (than this blog). I find that by not blogging here, I am much more connected and present with my 5.5 year old daughter and husband and students. I am thinking a lot less about how to churn the life and art teaching on my everyday into blog content and more about just being fully present and focused. This year for the One Little Word campaign I decided on the word "treasure" and I think it's going to work much better than last year's word of "joy" because it's been a focus of mine most recently in what I do, how I do things, and how I regard things before me. I've become so much more aware of the need for me to have less of a life virtually and more of a life actually.

I have loved this blog so much but I really and truly feel like I will probably not return to the posting schedule I had last year because it made it really difficult for me to have the time and energy I now know I want to have for my family and my students and to serve my school community. Blogging so much also makes it difficult for me to create artwork for my own professional development. I haven't painted in months and having realized this I decided that I needed to change that by trying to do something of my own art creation because I was starting to feel stagnant.

I have never kept up with a sketchbook OR done watercolor painting in all of my life but I recently started to do both in an effort to get beyond my own prejudices and learn something new that I had previously been so staunchly against. I got a visual sketchbook for both myself and my daughter and we have been trying to do a page a night in our books with either ink and watercolor or just plain watercolor. We both have less than a half dozen finished pages but it's been amazing so far and I am amazed that I was ever so against daily art creation (like in a sketchbook or visual journaling) OR watercolor. I have been "doing it wrong" the whole time. Thankfully, I have seen the light.

A page I finished last evening in my journal after everyone in the house was sound asleep.

I know I don't want to abandon this blog but I also know that how I have done it in the past is not a way that I can keep doing it in the present or in the future. I have a lot of content on here and I am regularly getting unique hits because of people finding things I have archived in the way of art lesson project ideas. (I'm so glad that what I have shared continues to be so useful to others!) Still, well... maybe it's time for me to deliver less that ends up being much more because it has greater substance at least as it applies to what I originally create - either in my painted sketchbook or with my own explorations of the creative process, creative callings, or what I am learning about the art of teaching art.

In any case, I hope you all are doing well in your classrooms and with your own artwork. I have previously "preached" the importance of being an artist as being actively creating art pushing yourself to do better design and stretching your creativity. I think perhaps it's time for me to do that sort of thing rather than giving myself endlessly to the efforts of others, the development and understandings of their creative processes, and enabling them to create beautiful works of art. That's what I do every day and when I leave work, I need to do a better job of allowing myself the same sort of gift.

So, I'm not quitting this blog or even taking it offline in any way. It'll keep being here. I just might be here less often but perhaps at the same time with a more worthwhile presence.

The things we all carry :: Arts Integration

What kind of arts integration are you doing these days? I mean, I know that you might be an art educator so art education is not only what you do but also what you do best but that wasn't my question. 

One thing that I am very aware of as an artist is the importance of connections and relationships. In order to design and create a successful work of art, one element or principle is not nearly so effective or meaningful if it's standing completely on it's own. Pulling the different elements of art and principles of design together - even if it's done in simple ways - is so powerful, communicative, and amazing to behold. Artist and art educators know this as fact but if we don't share that with others by INTEGRATING what we know with what everyone else knows (apart from the arts), we are keeping the richness and beauty of the arts to ourselves. And what fun is that? Seriously. Misery might enjoy company but happiness and delightedness enjoys a big ol' party that everyone is invited to, RSVP's to, and actually shows up to.

I mentioned last week that I am embarking on a new project with the 2D Design students that draws upon the power of using our lives to tell stories in order to explain how the sum of the parts is way more than the parts themselves. Every day I have been offering the students parts of myself and my story (as a way to practice what I both preach and TEACH) and I have shown them a different way to "read" things other than words on a page. Trying to do this on the daily has challenged me in all sorts of ways that I never thought it would because I'm literally trying to come up with more than a half dozen ways to say and show the exact same idea.

One of my favorite books that I have ever read is called "The Things They Carried." I read the book in my college freshman English class and it was one of the most illuminating and illustrative writings that I have ever read took a very VERY abstract concept and put it in words very simply and in a way that was easy to understand. And this concept made me think about what I carry and what my students carry on the daily that offer very interesting perspectives of who, what, and how we are in our lives. Want to see what I have been carrying out so far this school year (at least)? Here are the contents of my crossbody/shoulder bag (basically a purse) that I don't leave home without. These are the contents of what is in that bag without editing (well, photo editing not withstanding)

The contents of your bag can tell all sorts of things about you. Here's mine! What? You don't carry a tiny hammer in your purse too?

I have been hitting my student artists hard with the importance of reading beyond words on a page for the past week or so and while it's been incredibly taxing for me on any given day, it's been enormously rewarding for me to see their understandings and abilities "click" into place on the subject of non-verbal and written literacy.

Are you an ARTIST teacher?

This series of images documents the ongoing progress/process of a very large in-class demo of oil painting.

Just this past summer, I had the great honor and pleasure to meet one of my blog readers (Hi, K!) in part because they were doing their graduate studies capstone research project on the matter of not just teaching art but being an artist who just as well teaches. The whole idea was so curious and intriguing to me because I never stopped to think about what kind of teacher I am and even seek to be other than just trying to be the best professional art educator myself. 

Still, it got me thinking - have I been an artist teacher? What does it take to be an artist teacher if you aren't one? And, if you aren't an artist teacher, should you seek to be? And if you are an artist teacher, when do you stop being an artist and start being a teacher of art - or are those identities/roles so beautifully braided together that they don't beg to even try to be separated?

When I met with my blog reader, the intent was to be interviewed by them about the whole notion of being an artist teacher but it ended up turning into a very interesting and thought provoking conversation about that plus many other things. At one point they asked me something along the lines of if I wasn't an artist teacher or even an artist, what would I call myself. I sat and thought for a moment and then I declared that I am "curious" and that's what I believe that I am. Even now, months after that interview/conversation, I feel like "curious" is the best way for me to both explain, define, and identify myself. 

Last year, I believe I struck upon something incredibly important that has truly changed the trajectory of what I was trying to do when I first became an art educator five years ago. I realized the importance of process within the creation of art and I also started making a great distinction between the notion of CREATING art vs. making art. I did this not only in my own life but I also stressed this within all that I was teaching my student artists. 

I believe it's because of this that I finally started seeing more original, interesting, thought provoking, intentional and REMARKABLE artwork from my student artist more than I ever had before. It was incredible and the difference between what I did last year with my student artists and years before? You can totally see how much more on a different "level" it was and then continued to be with each next step they took with their learning and project endeavors. The difference between the two was that I made my teaching objective and curriculum a lot more about them (so, student-centered and inquiry-based) and a lot less about me (lecturing, deliberately steering each of them through very narrow paths of techniques for making things rather than creating them).

This year I tried something even more adventurous than what I did last year with an even greater emphasis on the importance of developing and having a creative process in order to be a more intentional artist and designer. While I have readily used in-class demos before, it's been in a way that kind of disconnects me from the process for the most part - meaning, I don't really show them much other than just demonstrating specific techniques. In my own experience as an artist though, I have learned that process isn't just figuring out and refining technique. It's about the perseverance, the critical thinking, deep emotional investment and personal connection with whatever work of art is currently in the works. All of that is even more integral to the creative process than refined technique but if I don't show the students that I go through this? I fail to show them some of the most important parts of the creative process and any finished work of art I might show them that I created seems to just appear vs. it being something that they truly see and understand was a labor of love (if you will). 

Finally got the stem and leaf (on the right) done the other day! Now to keep myself from going back and messing it up.

I have been working on a giant oil painting of a Hoa Quynh flower for weeks and going on months at this point. To say that it's been slow going would be an understatement and this is as much because I can't spend a ton of class time on it because I am constantly circulating and interacting directly with the student artists and their artwork as much as I have been just avoiding painting as I am wont to do even in my home studio. I am committed to pushing the painting through to the end though and even though the students have now finished their oil paintings, I refuse to give up on finishing mine because there is still so much process to share with them for them to learn of that I know will help them in their own journey to find and use their unique artist voices.

The All-You-Can-Color Bar :: Student-centered Art Education

Don't forget to enter the "Giving YOU the good stuff" (from Prang) fine-line marker giveaway by this coming Thursday, October 31st, at midnight HERE in the comments section. This isn't sponsored by Prang and is something that I just wanted to do because I like the Prang products so much after using them.

Remember: You don't have to tweet anything or follow me on any social networking conduits. 

Just answer the question in the blog posting HERE in the corresponding comments section and I will pick a winner randomly and announce it on Friday, November 1st! Good luck to you in winning it the prize!

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I teach all of the foundational level studio art courses at my school and I also serve as the department head of the visual arts and in my time leading to me taking the leadership role I now have, I have found that the best way to facilitate the foundational level art courses is by allowing them to be exploratory in nature.

I can't tell you how many times I have heard the student artists that come through my class ask things like, "Can I use *insert any color here*?" or (during a mixed media project) "Am I allowed to use *insert any dry medium here*?" While it might seem exasperating for me to field these questions, I actually don't get exasperated. More than anything, it breaks my heart to hear the student artists ask these things in their obviously timid ways.

I always start the year with a pre-assessment assignment that allows me to see how much they might already know/can do as well as gauge how confident (or not usually) they are starting out. My favorite type or pre-assessment is one that employs mixed-media approaches. This year I took some brilliant notes from a fellow art education blogger and made oversized foldables telling and and showing the elements of art. (I will be sharing these with you hopefully soon even though they are weeks overdue for this.) The endeavor worked out really well because it allowed me to preview some curriculum I would be instructing upon for this whole semester and it also allowed me to do one of my favorite things which was to set up a "color bar" for them to just dig right into.

Creation from CREATION because we were created to create

Yesterday was the first day of 2D Design class OUTSIDE. You should have heard the joyous cheering from my student artists as they have been working toward this day for weeks now.

The foci of our latest creative endeavors (yes - there are way more than one) include but are not limited to the following:

• Learn how to draw and paint from observation
• Learn how to make marks with greater integrity and of a more "painterly" quality
• Get a feel for working with wet into wet mediums with oil pastels that will segue us into oil paint
• Learn how to create space within a work of art using an open palette of colors and their values
• Working alla prima type fashion
• Draw less of what we think something looks like (i.e. "lollipop" and broccoli trees) and more of what things really look like

Our set-up to work en plein air utilized the following materials:

Large drawing boards with Blick sulphite paper quickly and simply "stretched" with masking tape

 

Individual cups with single servings of one of each color from Crayola's Portfolio-brand Oil Pastels to give each student artist an open palette. Some students also opted to bring a fine-tip sharpie as well.

While the morning gave us plenty of rain, the afternoon provided just the right amount of overcast so it wasn't too sunny or hot to work out in our favorite spot surrounded by lots of interesting looking trees and a great view of the sky for attempts at both treescapes and cloudscapes.

This shot was heavily processed via instagram (my username is DreamPrayCreate, of course!) as the sky wasn't nearly so ominous looking as is pictured. Please pardon the artistic license I took.

And because I am doing my best to fight a horrible cold and flu bug sweeping through my school community and trying to overtake my household, I am barely making it through the day without indulging myself in the only vice that I think I might ever have: an ice cold can of Dr. Pepper bought at a heavily inflated price of $1 from the school store. The way I see it, at least I am supporting the school by indulging myself, right?

Also from my instagram feed. One of the alumnae that follows my instagram stream said the shadow cast makes me look like I am taking in an afternoon smoke or something. *facepalm* I AM NOT A SMOKER. I'm only a drinker of Dr. Pepper.

Anyway, I feel like all I do lately is apologize for not posting things that I said I would on this hear blogsite. Uhm... I have been sick. I have been completely souped up on Nyquil and covered in Vicks Vapo Rub. I have been working my way through TWO graduate school classes for my final month that will completely finish my Masters in Education. I have been doing what feels like eleventy billion other things that don't make sense to me but seem to suck up time that I didn't have in the first place. *shrug* I don't know what else to say other than all of this. *wink*

And I will not end this with another apology OR promise to be back here soon with things that I easily won't deliver.

My Back to School Night "Commercial" :: Multimedia Teaching Tools

I know. This is my second Powtoon in a week. I guess you could say I am slightly obsessed with them. *shrug* I can't help it! They are so creatively challenging and fun to make!! Anyway...

My last one was for the students but this one is actually for their parents because I "premiered" it last evening at Back-to-School night in an effort to introduce myself. This one is definitely more elaborate than the last one however it's over half as long in running time (exactly 30 seconds). I think it might have taken about the same amount of creative processing and design time as the last one though and I believe this is because I am just a lot more familiar with how Powtoons work and so I'm getting a lot faster.


I doubt this will be my last one but so far I might like it the best of all. I really enjoyed layering all of the elements, editing in the transitions, thinking about how things should be done in order to visually communicate and SHOW what I was trying to tell the parents of my students.

You might notice that what I didn't do was give a mini lecture about what goes on in my class and this is because we are encouraged not to do that so much as to offer the parents/school community a little bit more of a personal side of ourselves. That's why you didn't see any educational jargon and other bally-hoo of that sort.

One thing I know I want to do though after logging so much Powtoon time already is that I already know that I want to include this as an assessment tool for the Graphic Design student artists. There is just so much range and it's so fun. My only concern is that I don't know that the computer system we have right now can handle it.  Well... I guess there's only one way to find out, right? I'll let you know when that happens.

PowToon is my new favorite thing!!!

Can't remember where I saw this recently but another brilliant art education blogging teacher used the amazingness that is PowToon web-based design platform to make a really cool multimedia and fully animated and soundtracked video for the purposes of welcoming her students back AND refreshing their memories about classroom rules, procedures, and expectations. The program is sort of like Xtranormal except WAY better. (I mean A MILLION ZILLION times better.) It's currently in beta and mostly free but there is educators discount pricing which was only $60 for the year.

(Too rich for your taste? Well, I plunked down the money because I work with the school's marketing team, I might be able to finagle being reimbursed for it, AND I seriously love it so much I might use it over powerpoint or even Keynote from here on out.)

Anyway, I could not help but be inspired by this new and "shiny" technology and this week we are getting into the whole business of learning how to do critiques (both self and peer) and I thought this would be a great way to introduce the purpose of critiques, the process, and the layout of the goals and expectations. Here is the video short I just finished and while the learning curve started rather steep, it's a lot like iMovie (actually, I felt like it came more naturally to me even) and it was fun to do. You should try it out if you are interested in something new and unique to show your art students how creativity and creation can be stretched beyond paper, canvas, and other such traditional surfaces.

It's OK. You can call me BOY-crazy if you want to.

Hello and how are you? Sorry it's been about a month since I have done anything here on the blogsite. With all of the spending time with my family and a mostly relaxing summer schedule in full swing and two graduate study courses (at the same time) and NOT painting a thing because I have been customizing American Girl dolls to make them look like boy dolls instead... I guess you could say I have been quite busy!

What's that? Oh... that last thing? The whole customizing American Girl dolls to look like boy dolls? Uhhhh... yeah. About that. Hmmm. Where do I even begin?

Well, if you didn't know, I have a five year old daughter and she happens to be a pretty serious fan of American Girl dolls. Heard of them? They've been around for upwards of 20 years so perhaps you have because you had them when you were younger OR you have kids who are into them. Or... perhaps you know about them because you don't like them for any number of reasons.

Learning to listen and then let go

Some weeks back, I started oil painting again after taking an unintentional sabbatical for quite some time. I was able to complete two 36 x 36 pieces in one weekend. I felt pretty uplifted by them both.

And then something happened with the second one I did. The longer I looked at it, the more I become convinced that it wasn't as it was supposed to be. There was an unnatural darkness about it that made me feel uneasy and prompted me to try and make adjustments to help illuminate it. Everything I did only made it worse and spread more darkness over it. My husband tried his best to convince me that I should just let it be and friends of mine gave me plenty of affirmations that is was "pretty good." I wasn't convinced though I ended it quickly by rubbing it down with turpenoid and not even thinking twice about it. I knew that finishing it and then wiping it clean was absolutely essential to the creative process for what this painting would be.

This is why I paint and why I should be painting a lot more often

This weekend provided the first opportunities in months for me to really invest some time and paint in my home studio. Here are the fruits of my labor...

Both were done in Gamblin oils on stretched canvases that are 36x36 in size. Both are completely original works for me and this is a huge first for me. Both were also done - start to finish - within less than 48 hours of time. I have no titles for them yet but I am working on that. The inspiration for the subject matter should be obvious enough but largely it is informed by my Christian beliefs and experiences so far in my life.

Taking it from shape to form to cartoons-in-the-round

Right now, the 3D Design class is diving into the lesson idea that is Cartoons-in-the-round. It's such a favorite project for the students to do both because it offers them the opportunity to do handbuilding and work with clay and the subject matter? Well... cartoons are just so much fun! Still, for as much fun as it is, it's also incredibly challenging for so many of them. Most all of them are foundational student artists and this means that many of them have little to no experience with the visual arts. Just the same, that doesn't ever keep them from dreaming big about what they can create and as far as I am concerned, I am all about enabling them to make their seemingly impossible dreams come to fruition.

One of the big challenges I always have in teaching visual art is helping the students to see things in different ways. Sculpting is always a great adventure because of this challenge since the students inevitably pick subject matter that they know can be done in clay but they have a hard time figuring out how it will happen. Since I do not permit them to trace their selected cartoons, the frustration of the project always sets in very very early on. They print off pictures of what they want to do and insist that that is adequate for them to sculpt from. I never EVER allow it to stop there and I require them to draw (from picture reference) both a straight on front view and then a perfect side/profile view of their selected subject. I describe what they need to draw by telling them to draw a "mug shot" of their cartoon.

The majority of the students are ALWAYS frustrated by the drafting portion of this project though because they cannot figure out even how to draw things. I have found it's very helpful for them to see simple step-by-step directions (always readily online) of how to go about drawing cartoons...

via

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Both examples above definitely help them to see how to go from simple shapes to complex forms and I teach them to interpret complex forms by visually "reading" them as simple shapes. I even offer them a key for when they are drawing and "reading" their subject matter by reminding them of how the four basic shapes look as 3D forms - circles are spheres, triangles are cones, etc.

After I do this with them, I project a random character selection onto the white board and then I draw in (with their prompting) the simple shapes found within the overall complex form. Then I turn the projector off and show them what the simple break down is...

Can't find the original cartoon but this was a baby tiger I think

I encourage them to do this simplification process to whatever they are attempting to draw not just to figure out how it should be drawn but also to show them that if they do this, they can use this to determine what complex forms they will need to have in order to put them together to make their character in sculpture form! They can even count how many spheres they will needs, cones, etc.

The students are working on sculpting all this week but they are supposed to be done by the end of this week in order for us to have enough time to dry them completely and then paint and fully articulate them. This will end up being the very last project that we do in 3D Design and I am really glad that it is working out like this.

Artist Trading Cards are so amazing

Today the Interactive Art History students are finally getting their paint brushes at their mini canvases for the ever popular Mini Masterpiece project idea. In the past they have been both excited and incredibly intimidated by the teeny-tiny canvases both this year I think I finally discovered a way to allay the fears because check out what they did with these Artist Trading Cards...

If these don't show that they are reasonably prepared and confident for really turning out some extraordinary tiny paintings that I don't know what will prove it. They will work on their tiny canvases for at least a week (starting today) in order to leave enough time for them to set and dry to give as mother's day gifts. I really look forward to sharing their finished works with you all because if this is any hint at what's to come? Surely they are going to be amazingly done!

Mini Masterpiece prepping with Artist Trading Cards :: Interactive Art History

This is my third year of doing the ever popular Mini Masterpiece project with the Art History students and this year I decided to add something into the creative process of it by having the students do some trial runs with artist trading cards (ATC). Do you do ATC at all with your students?

In all honesty, I have wanted to get in on the ATC "game" for quite a while and I even have quite an inventory to do it - I ordered different supports in ATC size at the beginning of the year - but I haven't been able to get it and keep it going. I blame the ridiculous schedule I keep at any given time with working full-time, graduate studies (also full-time), married and family life, and everything else in between.

(Next year, my goal is to definitely get ATC creation and exchanges going here within the school's art community and then eventually have it connect with another school/art community. I think it would be a great for a student leader to spearhead and so it's on my goal list to make happen in that way. Anyway...)

I have all of these ATC but I haven't used them this year so far. Last week there was a major school-wide field trip that happened though with the Science department and I was left with only half of my students in almost every class! It was the perfect time to break out some ATC for the students to do some creative processing and exploration. I found it especially useful with the interactive art history students since they are prepping for doing the Mini Masterpiece project and the ATC are just the right size to get them to start thinking about scale in order for them to do more successful works of art when they get their final materials.

I put my hand in this shot so you can get a better understanding of how small they are! 

The students used the Portfolio brand Oil Pastels that we are such a huge fan of and they all turned out some pretty amazing ATC that many of them took with them in order to be able to give to their friends and/or hang in their lockers.

I have never done ATC before but I feel like it really worked as a nice stepping stones for art history students to feel a little more prepared and confident for when it comes time for them to put paint to canvas.

Why ride waves when you can paint them :: Oil Pastel studies of waves

In continuing to prepare the 2D Design class to jump right into landscape painting from picture reference for their turn of doing a Place of Grace, we got our proverbial feet wet by wave painting!

While we could have done a youtube instructional video for this one, after the clouds in the sky and the tree, I felt like they should attempt the waves a little more on their own. I did provide some instruction for the purposes of prompting them to connect what they would do with the waves back to the tree and the clouds - like helping them to realize that the crest of the wave is not unlike the clouds or the foliage of the trees. I also helped them to see the darks, mediums, and lights of the sections of the wave as well as helping them to understand where things should be more heavily blended and where their marks should be preserved as they are.

Overall, the goals of the wave painting were to allow them to have a lot more autonomy, be a little more intentional with their marks, and prove to them that they can paint (and well at that!) by using a picture as a reference. I differentiated the instruction by allowing them to select which wave they would do but by the end of the exercise they all had attempted to do both to of them. I projected two pictures I found of wave paintings online and I projected them split-screen style on the dry erase board so I could label them as I needed to.

You can see some of the labels I drew on top of the pictures. 

And here is the student work! The students are getting better and better with their marks and I am so delighted with how they are becoming more "painterly" with their work overall. I am especially excited because this is a class of student artists who are very much foundational in what they know of art so this is their first major endeavor into really producing something that (for them) will feel a lot more legitimate. See if you can figure out which wave (A or B) that they did based upon their work!

This student wasn't done but I believe they have the essence of the wave they were attempting.

There was a lot of peer tutoring going on amongst them a they did their work and I know that helped. Many of them also learned (and demonstrated!) the importance of not just drawing in the center of the paper and using the whole space of the paper. Showing them how to bleed and anchor the shapes, colors, and values to the different sides of the paper really helped them to better understand the overall composition of each of their pieces.

One last thing I did was to play a youtube video as background "music" in order to make their painting as full sensory as possible. It was so relaxing hearing the waves crash every day that they did this. Here is one I used...

This is the first year that I have used youtube at least every other day - for either co-teaching instructional purposes OR to do things like helping to create a more authentic experience of creation in the studio classroom and I am going to keep doing it because it has really made a difference for the students and their work.

Something else of all of this painting of landscapes? I am convincing them (as I told them I would!) that despite any of their individual claims that I ALWAYS hear from them of "I am not an artist," they not only will come to love and crave the experience of painting but they will also be good at it too!

Work Smarter, NOT Harder :: Why you should sometimes use PicMonkey instead

So, obviously, I am an art educator but did you also know that I am quite well versed in graphic/digital/visual design overall? It's something that I have been doing for 10+ at this point while going the many paths my career has taken me in the way of printed marketing material, creating or refreshing visual brands, doing web design and publication, and designing multi-media presentations (powerpoint, keynote, prezi, etc.)

While it might seem strange and also strongly support the argument that I am nothing less than a workaholic, I really enjoy doing visual design work. It's always challenging for me to be able to create (or re-imagine/spruce up) something and it is really gratifying and relaxing for me because you can literally start with a blank (digital) canvas and then let your imagine go wild! As it goes, I have become the go-to gal where I work for visual design work that has essentially made me their in-house graphic designer. I always love being able to support and help my colleagues in this way - I see it as a way of sharing the things that I have been blessed to be able to do. It has taken a few years (yes - years!) to "train" everyone to understand that I do my best work when it isn't requested at the 11th hour but even when it goes like that, I always try and churn out the best thing I can and honestly? Visual design work comes pretty easily for me and through the years I have really been able to hone my workflow and technique so that if/when I need to pick up pace? I can deliver whatever is called for.

Two weeks ago my department head (whom I adore and would do anything for!!) emailed me asking me to take an old poster design (see below on the left) and fix it to have new information so that it could be used for my school's soon to be inaugurated outdoor theater. (I will share about this at some point if I can!) She said that nothing fancy would have to be done with it, she just wanted new info to be "plugged in" but since she knows very little about how digital and graphic design is done? Well... she didn't know that it can't just be done like that without it looking pretty bad. I worked up a fresh design from her original and gave her what you see below on the right with the goal to maintain the feel and look of the original design, including the new information, and also making it look a lot more polished. The whole thing took me maybe a few hours start-to-finished that included researching some inspirational ideas via Google Images and then whipping it up in various visual design software.

Perhaps all of this is small potatoes or "Greek" to you but I gotta tell you that when I "whipped up" the newly designed poster, I kind of really mean it as it is suggested to mean and that is that it was sort of a cake walk of sort. I mean, I can use photoshop and illustrator but honestly? There is something out there that is even more useful than that! And that is PicMonkey (formerly known as Picnik).

PicMonkey saves time, money and hassle - EVERYTHING you see here was done in PicMonkey (with upgrade)

Why is PicMonkey is a great web-based platform that makes visual design a little bit more approachable (and take up a LOT less time) usually?

• It's drag-and-drop in a WYSIWYG (what you see is what you get) kind of way 
• It requires very little technical knowledge like photoshop or illustrator or even gimp need in order to get it to work the way you want it to.
• It is completely affordable since a lot of what it offers is for FREE and requires ZERO registration.
• You can upload already existing photos and/or graphics to it and then do effect work on them and/or add text or graphics to make things look that much more snazzy. 
• Overall, it makes photo editing and simple visual design very approachable and even enjoyable.
• Even if you pay for the upgrade, it's only $5/month OR it's $33/annually and it opens you up to a whole bunch to graphics that aren't totally canned in addition to macros/actions for photographic editing - also, all of these bonuses are regularly updated to match whatever is trending in graphic design at the time. 
• It's a GREAT alternative to not having to pay for vector graphics one by one since it has that regularly rotating inventory to begin with. 

One drawback of PicMonkey that is a little hard to explain to you all is the fact that it can be hard to fully originate a working file. This means that you can't totally start something from scratch in PicMonkey and for my purposes sometimes I will create a blank file in Photoshop - with the dimensions that I want and everything to begin with - and then I will import that into PicMonkey and then export it back out again (to Photoshop) if I need to. Does it sound like extra work that I have made for myself when I otherwise could have done everything in Photoshop? Well... I at least save money doing it like this by not having to buy vector graphics one by one OR I save major amounts of time by not having to make them first and then bring them into Photoshop.

Now, for those of you who are veteran visual designers, you are probably either laughing at me or scoffing at me and insisting that what I am doing is not REAL graphic and/or visual design. Well, let me tell you - and I am not trying to sound haughty or like a jerk - I don't really care about if people think I am legit or not. As far as I am concerned and from actual experience, NOBODY CARES or even asks how I accomplish most things I need to get done. My philosophy is almost always to work smarter not harder and don't get hung up on the details because doing so will actually keep you from getting anything done at all let alone doing something well. In my opinion and experience, what I do sometimes (with PicMonkey in the mix) adds to the success rather than subtracts from it.

Of course, you can't do every single thing with such ease in PicMonkey. Some stuff is better left to Photoshop because it is faster and a lot more painless. Working with layers IS a lot easier in Photoshop and being able to save in editable format (with layers) is something else that Photoshop does and PicMonkey simply does not allow. Other things like pixelating things for censorship and privacy (like what I might do here on the blog sometimes) is also a lot easier in Photoshop because it requires being able to create and manipulate layers. Still, it's completely do-able to do as much as you can quickly in PicMonkey and then import it into Photoshop and do a little more specific things per whatever you need. (See below)

Here I photoshopped in a layer of texturized revolver graphic and pixelated out the location information for privacy

Here is the finished poster with a different graphic since the criss-crossing revolvers are not quite to friendly for our purposes of them hanging around school. I expected that they would be edited out but for the purposes of having a visual placeholder until it was decided what would go in there (which was the locomotive)...

So there you have it! And perhaps if you have never tried PicMonkey before? Now I have convinced you that you must do so. And by the way, I am not plugging the service because they have compensated me in any way and I am telling you about it just from my own personal fandom.

Lesson Idea :: Mehndi Hand Sculptures **Updated with Student Work** :: World Art Study

I promised this to you last week when I presented the lesson project idea of Mehndi Hand Sculptures and today I have the completed student work for you! This has been one of the most successful project endeavors of the Interactive Art History class in the (now) four years that I taught the class and I am seriously proud of how the students have done with this even with it only being the first time trying it. And? This is the second major project idea that I have done with Plaster of Paris so perhaps I have a signature medium for myself? I mean... does that even exist? Well, whatever, here is one more art education idea where Plaster of Paris is quite handy. *pun intended*

I feel like this is a great way to do the art of Zen Doodling and making it that much more challenging and impressive since it applies designs to a three dimensional surface. Some of the most interesting of designs were students who really attempted to depart from the minimum of simply sculpting the hand and then applying designs. The hands that were gestural were incredibly impressive and the students who attempted to add color to their hands - which made them decidedly less Mehndi in style - were even more successful overall. There were creative risks that some of the students endeavored to take and I am very proud of them for that alone. 

This project held student interest from start to finish and I helped to keep them invested by encouraging them to make their design work as densely packed as possible. I did not discourage the use of color and while classic Mehndi designs have a sort of natural feminine flair to it that might have turned the guys off, I encouraged the guys to think of tribal design work instead of things that were floral in nature.

I will definitely be doing this project idea again and now that I have one round of experience with it I fully intend to try and raise the bar next year. I am already researching and working on how that will happen so watch out for me next Spring when it's time (again) for the Interactive Art History class. And if you do this project idea with your classes? Let me know! I love seeing how much better and different things look beyond my classroom.

Hand check

Returned from Spring break but I have so much to do now that I am officially in the fourth and final quarter. Where in the world did the rest of the school year go and how am I at the end of another one?

I have plenty that I know I owe you all in updates and other good stuff but I also need to get my grades in for this week for report cards to go out AND I also have some grad studies work due this weekend so gotta put the blogging on hold even longer! Sorry!!!

The above image is a preview at least of what I have ventured into with the Interactive Art History class. I took a pinterest idea and crossed it with a lesson plan found on Dick Blick for them to be able to study World Art! At some point upon my return, I will share the lesson plan idea as well as some of the tricks and tips (and snafus) that yielded from the endeavor. Probably will see you next week if I'm lucky!

Maybe I will take a nap instead

Merely taking up space for the past 6+ weeks

I suppose I could have pulled myself out of bed at a reasonable time this morning in order to get things accomplished but I didn't. And this is the third morning that this sort of thing happened.

I would use the excuse that I am on Spring Break and that's why this sort of thing is happening but I don't know. To me that's hardly a reasonable excuse or justification or whatever you want to call it in order to explain that my serious lack of anything creative in the direction of personal works.

I mean... I don't know. I don't have any very good excuse other than the fact that when I am sleeping I am even dreaming about being able to take a nap so I'm just going to say that I am tired. I am REALLY tired and worn out.

I have one more day (tomorrow) of this Spring Break where I could possibly get in some really good uninterrupted painting time without having either a husband and/or a child wanting for my attention in some way, shape, or form so tomorrow I gotta get back to the easel and make SOMEthing happen.

Today, I really do think that I will take a nap instead. It just goes like that sometimes.

The ROYGBIV Project :: Put a fork in it! :: Pt. 5 of 5

Without further adieu... I present to you The ROYGBIV project in all of it's finished glory!!!!

The installation makes the gallery hallway such a happy place!

Once the students got to the point where they were able to start installing their individual sections of the total installation and they got to see it all come together they were really motivated to get the whole project DONE and it took only a matter of a few days for them to all really pitch in and get things hung up and adjusted no matter what subdivisions they originally volunteered themselves for.

One element that was a final "finishing touch" was hanging painted (with tempera) sheets of acetate sheeting on alternating window panels all the way down the hallway. The hope was that the natural light could shine through the painted sheeting and then cast colored light into the hallway. It didn't work but it did look pretty interesting from the outside and it has served as great encouragement for people to see it across the "quad" and then come walk through the gallery hallway when they otherwise didn't have a reason to venture that way in the first place.

Next  year when we do a different ROYGBIV installation I will allot money in the budget for colorful cellophane.

The sun group had some serious challenges with trying to rig up something that would support the overall structure, girth, and unexpected weight of the finished work. Fishing line did not work after trying it multiple times so the winning solution was to use 14 gauge aluminum sculpture wire that supported the sun from three different points. It doesn't look like a literal interpretation of what the sun looks like but I think it works being abstract the way it is.

The sun is suspended at one end of the hallway where it can hang the highest from the ground.

Obviously a good number of the rainbow drops didn't hold their shape perfectly but I think it's OK. The student artists who worked on them weren't totally disappointed and I was really proud with the way they pushed through to the end even when it was very VERY challenging and discouraging at times. Their perseverance is so commendable and they really pulled things together in the end.

And the clouds group? Well, they had a bit of an unexpected advantage from the get-go because they didn't have to figure things out since they followed some directions found online. *shrug* They did have one of the messiest portions of the whole installation though so they had their fair share of challenge at times. Their original plan was to shade the clouds a little to make them look "stormy" but in the end that wasn't necessary and they simply used some of the natural darkness that was cast from the inside out that derived from the newspaper that they used for the center form of the sculpturing!

For a second try at studying installation art with the 3D Design class, I would say this attempt was successful. So many people - students and faculty/staff alike - have commented really positively on the entire installation and part way through the hanging of everything I already had inspiration come upon me for what will be done for next year's endeavor! If you can believe it it will be much of what you see here PLUS a little bit of some extra that is pure fun and lightheartedness. Hard to believe it can be bigger than this? I guess you'll have to hold me to that and visit me next year to see what it will be all about.

Thanks so much for sticking with me for this week long series! Next week is Spring Break for my school but I will be queuing up some postings that have been waiting around for their chance to be shared in addition to working on graduate school assignments and also (FINALLY!!!) doing some painting at the easel at my home studio.

Have a great weekend! See you next week!

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This installation art study was student-centered and collaboratively designed and constructed (across two classes). It utilized paper sculpting and papier mache, string wrapping, spray painting and brush painting, fiber application in order to create a sun, clouds, and rainbow display suspended from the ceiling of the student art gallery hallway. It was originally presented in a week long series that showed the planning and creative processing, the beginning part of the sculpting/working stage, the point just about when everything was done being sculpted, and then some notes about when things went awry and how those things were dealt with. The final view of it can be found HERE. This project was meant to be a re-imagining of The Ombre Experience project idea.